January 9, 2007 · Posted in Uncategorized 


Here’s what you need to know if your boss hands you a camera and tells you to do a video story:

IF YOU ARE SHOOTING TAPE, ALWAYS PRE-ROLL AND POST-ROLL: this is a REALLY IMPORTANT technical thing related to editing that will bite you in the ass if you don’t follow the rules. This means:
1) ALWAYS record a minute of tape before starting. Video editing programs need extra space before and after the bit you want. (Pre-roll and post-roll!) Write down the story, date and your name on a piece of paper and tape that for 60 seconds. Or tape your cat for 60 seconds. This avoids tape dropouts that always happen at the beginning. It also reassures you that the camera works.
2) ALWAYS record at least 4 seconds before someone starts talking and at least another 4 seconds after they stop. (you can’t capture the soundbite in the editing program otherwise. Pre-roll and post-roll!)
3) ALWAYS record a minute of tape after you’ve finished everything. Your cat is still fair game. (pre-roll and post-roll!)
4) REALLY REALLY REALLY IMPORTANT: Never break timecode! If you try to watch what you’ve recorded and then start recording again with even a half-second of blank tape in between, the piece cannot be edited. DON’T REWIND UNTIL YOU’RE DONE! NEVER! EVER!


HOLD THE SHOT: Line up your shot in the viewfinder, press record, and then HOLD IT FOR TEN SECONDS. Don’t pan. Don’t zoom. HOLD THE SHOT. Count to ten! Even if we only need a second of it, hold the shot so it can be edited later.

SOUND is the most important thing in video. Record the interview sound separately from the images. Get the microphone within 12″ of the person speaking and hold it still during the interview. Don’t talk while the person is speaking — nod but don’t say “un hunh”. The interview is called “A-roll” and will be the main sound track for the piece. Keep the subject’s sentences short and sweet. Record the sound in a quiet place. Turn off the tv and radio. Air conditioners, traffic, and ringing phones are your enemy. Listen to the sound through headphones while you’re recording.

IMAGES: Now that you’ve gotten the sound, take video of everything the person talked about. Shoot close, medium and wide of each thing. Hold each shot for 10 seconds. Let the subject move, not you. Don’t pan or zoom. Get close. Brace against something so the camera doesn’t shake. The images you shoot of whatever the subject talked about is called “B-roll” For a minute-long interview, you’ll need dozens — DOZENS — of different B-roll shots related to what he’s talking about. Shoot details, establishing shots, and activity. Shoot lots of shots of the subject doing things. Make sure you’ve got at least five different shots for each good sound bite. For example, if the subject says “Oh my god — I can’t believe we’re alive! The car crashed right into the bedroom!”, you’ll need a wide shot of the house, a medium shot of the car in the wall, several shots from different angles of the car from both inside and out, close-ups of the bed, close-ups of the broken wall, details of family photos on the dresser with debris around, etc.

BE FOCUSED: Web videos need to be short — one or two minutes. Pick one aspect of your story — something with emotion — and make the video about that. Keep it short.

FIND A CHARACTER: A successful video needs a ‘character’ to be the star — find someone who is articulate and engaging, someone who makes quips and jokes — and does them in short, sweet sound bites. Run-on sentences are death in video.

GET THE SUBJECT TO TELL THE TALE: Don’t ask yes or no questions. Ask the subject to “describe” or “give me the background” or “tell me in short sentences” what happened. If they ramble, say “I’m not sure I understand. Tell me again about….” until they say it in a direct way. You need the 25-words-or-less version! See “BE FOCUSED” above.

DON’T STEP ON THE AUDIO: Don’t start talking until they’ve stopped. Don’t jump in immediately with another question after they’ve stopped speaking — first, you need a break in between for editing, and second, people hate a vacuum and will sometimes volunteer really great stuff after they’ve directly answered the question.

Remember to pre-roll and post-roll! Don’t hit the record/off switch until at least four seconds after they’ve stopped speaking.

Have fun!

FOR MORE TIPS, check out these links:

http://www.ojr.org/ojr/stories/050303mccombs/ — Shooting Web video: How to put your readers at the scene

http://www.current.tv/make/training — Current.tv producer training

http://www.ojr.org/ojr/wiki/video/ — online journalism wiki on video

http://www.ejfoundation.org/page78.html — Envronmental Justice Foundation video training

http://desktopvideo.about.com/od/editing/ht/goodvideo_ro.htm — About.com Rules for Taking Good Video

http://www.bbctraining.com/onlineCourse.asp?tID=5914&cat=2781 — BBC’s Good Shooting guide — basic principles

http://ezinearticles.com/?How-To-Shoot-Good-Digital-Video-With-Your-Camcorder&id=162292 — Ezine “How to shoot good digital video with your camcorder”.


2 Responses to “”

  1. free ps3 on September 6th, 2007 10:17 am

    Thanks for the nice post!

  2. Mingming on December 9th, 2008 1:30 am

    put your camera in manual mode and completely close the iris, put the lens cap on and record. Just a thought.

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